Notes, essays, conversations & fragments gathered along the way.
Bitta is the journal arm of Barbitta …a space for thinking aloud.
Here, you’ll find reflections on branding, design, culture, human behaviour, and the quiet details that shape how people feel.
Some entries are short. Some stretch out. Some are inspired by those building culture from the inside.
Others are field notes from streets, signs, books, and moments.
It’s not always polished.
But it’s always intentional.
A fragment of something bigger.
Performance isn’t the problem. The problem is when the mask doesn’t hold. Audiences don’t just want the show...they want the truth behind it.
Shapeshifting isn’t just a metaphor…it’s alive in the way brands adapt to shifting markets, platforms, and cultural moods. From heritage icons to digital disruptors, several Australian brands show how to flex and transform without ever losing their core identity.
Knowing Vincent Fantauzzo as “the Archibald-winning artist” is one thing. Hearing his raw story…and then standing in front of the work, is something else entirely.
A new wave of non-alcoholic drinks is reshaping the culture of social drinking. Brands like Something & Nothing, Mellows, Dayse, and Mateo are building a parallel drinking culture…one that’s calm-forward, functional, and designed for a reset rather than a blur.
We don’t just look at design anymore. We live in it. We swipe, tap, remix, scroll, and share. Branding today isn’t just visual, it’s experiential.
Pure originality doesn’t start with moodboards or mockups. It starts in a much quieter place. Every project I’ve ever felt proud of began with a conversation.
As designers and innovators, it's our responsibility to learn from these early experiments such at NFT’s and heres my thoughts.
Welcome to the Joy(conomy). Where design meets delight and only works when it’s earned..
There’s a curious thing that happens when wayfinding is done well…you don’t notice it. You simply move without second guessing, without hesitation.
Before “community-building” became a checkbox on every brand strategy deck, Lululemon was doing the real work.
In a culture that values connection, energy, distinctiveness...can luxury afford to stay silent?
The traditional lead journey...awareness, consideration, conversion...feels increasingly out of sync with how people actually behave.
Guy Ritchie’s work is like a brand. Consistency. Tone. A voice. Every choice he makes builds something you recognise, even if you don’t always love it.
We’re surrounded by performance dashboards and metrics and while these tools are useful...they can also lead us into creative autopilot.
The Extreme Self is one of those books you pick up and instantly wonder...is this a book...or a beautifully designed nervous breakdown?
There’s immense value in climbing from the gutter to the top. That journey, gives you character that no instant promotion could ever offer.
Is the rate of change outpacing our capacity to adapt to it? Are we evolving...or just scrambling to keep up?
A great brand isn’t one thing...it’s the orchestration of many things. Thoughtfully shaped. Purposefully connected. Built over time, not in isolation.
140 Artists' Ideas for Planet Earth. A book that is beautifully erratic, experimental and often wild compilation of thoughts.
There’s a strange moment in any creative process when the thing you’re shaping begins to shape you back.
It’s a city where art and culture aren’t just appreciated...they are solidly baked into the culture.
Helvetica, the documentary by Gary Hustwit exposed was how many iconic brands use Helvetica in thier brandmarks.